nochlin why have there been no great female artists sparknotes

She divides her argument into several sections, the first of which takes on the assumptions implicit in the essay's title, followed by 'The Question of the Nude. Art is rarely produced entirely by the artist for the idea of personal expression. As a specialist in 19th-century realism, she has a preference in. Nochlin refused to handle the question of why there had been no great women artists on its own, corrupted, terms. This idea of aesthetic genius, says Nochlin, is fiction. She dismantles this via case studies of both male and female artists, paving a daunting but hopeful path towards women’sand indeed, everyone’sflourishing in the arts. In her conclusion, she states: 'I have tried to deal with one of the perennial questions used to challenge women's demand for true, rather than token, equality by examining the whole erroneous intellectual substructure upon which the question 'Why have there been no great women artists?' is based by questioning the validity of the formulation of so-called problems in general and the 'problem' of women specifically and then, by probing some of the limitations of the discipline of art history itself. Wikipedia: In this essay, Nochlin explores the institutional as opposed to the individual obstacles that have prevented women in the West from succeeding in the arts. Women Artists collects 30 essays written over five decades of Nochlin’s formidable career as an art historian and critic. The question insidiously supplies its own answer, Nochlin writes: that there are no great women artists because women are incapable of greatness. She divides her argument into several sections, the first of which takes on the assumptions implicit in the essay's title, followed by 'The Question of the Nude,' 'The Lady's Accomplishment,' 'Successes,' and 'Rosa Bonheur.' In her introduction, she acknowledges 'the recent upsurge of feminist activity' in America as a condition for her interrogation of the ideological foundations of art history, while also invoking John Stuart Mill's suggestion that 'we tend to accept whatever is as natural'.

Wikipedia: In this essay, Nochlin explores the institutional – as opposed to the individual – obstacles that have prevented women in the West from succeeding in the arts. Aside from Why Have There Been No Great Women Artists, Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.

Nochlin why have there been no great female artists sparknotes